非常喜欢涩琪这张专辑的艺术风格，尤其是在看MV的时候，突然想起了以前看的一部实验电影《大约在密歇根》，同样的解构暴力下女性形象展开，同样的女权主义与猎奇色彩，随着涩琪在倒在冰箱里代替被她肢解的水果时，幽默、美丽、恶心。涩琪漂亮的脸和完美符合社会审美的身材与惨白的电梯、肮脏的水果店、崭新的冰柜以及狭小的监狱对比相当明显，一切的不合时宜都如歌词中那句“It’s so fun to show me now”。


        

        




At its best, Baby, Not Baby‘s dynamic instrumental reminds me of those great Cheiron Studios teen pop productions of the early millennium. Glistening synth samples collide with big, Baby One More Time riffs, crafting a striking sound that suits Seulgi very well. It’s not what I expected from her or SM Entertainment, which is a pleasant surprise. There’s a pleasant line between “gritty” and “polished” that gives this instrumental real allure. The producers could have gone even further down this road, but I applaud them for travelling it at all.






大约在密歇根-剧照1




大约在密歇根-剧照2




Baby,Not Baby-MV-1



Baby,Not Baby-MV-2